Thursday, December 22, 2011

Lest We Forget


Camera: Canon EOS40D with 17-85mm EF USM

Original RAW file developed and cropped with Canon Digital Photo Professional

Apps used for post processing:
1) SimplyHDR - for a HDR version of the photo.
2) ArtistaOil - for a simulated oil painting.
3) Blender - to blend the HDR version with the oil version 50/50. This added some details to the oil version which was important for the crosses in the background.
4) FilterStorm Pro - I imported the Blender result and the HDR version into FilterStorm Pro where I painted a mask to erase the grave cross and the flowers from the oil layer so that it was coming through from the HDR layer.
5) Blender - I blend the FilterStorm result with the result from step 3 again to smooth the edges of the flowers and cross.
6) Photo fx Ultra - to add a glow effect.
7) Blender - to blend the result from step 6 with the result from step 5.
8) Photo fx Ultra again - to add the Depth of Field effect. This nicely blurred the background a bit.
9) TouchRetouch HD - to remove an unwanted lantern pole from the background.
10) Camera+ - to add the nice Vintage border.
11) ArtisataOil again - to create an oil version with the a maximum of bristle depth and canvas effect. I did this because I wanted some texture in the frame.
12) FilterStorm Pro again - I imported the results from steps 10+11 into FilterStorm and painted a mask over the frame to bring the texture out.
13) TouchRetouch - to touch up the inner border of the frame a bit.
14) Crop 'n Frame - to cut the very large frame to smaller size again. I usually prefer the neat little tool Crop Suey for this but it apparently has some problems with large files because it used to crash.
15) A+Signature - for the copyright watermark.


It was on May 4, 2008, as I visited the US Military Cemetery Meuse-Argonne in Romagne in France together with two friends of mine. It's the largest US Military Cemetery in France, if not in Europe, where more than 14,000 men found their final rest. One of them is Sergeant Bernard L. Pohlpeter (photo) who fought with the L Company of the 126th US Army Infantry Regiment, 32nd Division. He got killed in action in the Meuse-Argonne Offensive in October 1918, only one month before the war ended on November the 11th. I did some research about Sergeant Pohlpeter and I found a copy of his regiments history online at this page: The Old Command. His grave is at Plot F, row 12, grave 23.

Although the day of death marked on Sergeant Pohlpeter's cross is October the 12th, 1918, he is listed in his regiments casualties list on page 42 as having been KIA on October the 5th. Reading through the regiment's history I also found no report about combat action of his unit for October the 12th but the unit took heavy casualties in the time from October 4-5. So I now wonder what's the truth is. 

As we walked the beautifully made cemetery in awe and respect, we spoke little because nobody wanted to disturb the silence on that place where so many of those men rest who fought for our freedom. So many graves... so many names... so many individual destinies... It really fills on'e heart with sadness to see so many white crosses on such huge fields.
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Wednesday, December 21, 2011

The Ruins of Montfaucon


Camera: Canon EOS40D with 17-85mm EF USM Kit Lens

Original RAW file developed with Canon Digital Photo Professional.

Apps used for post processing:
SimplyHDR-HD - for a HDR version.
ArtistaOil-HD - for an oil painting simulation.
Photo fx Ultra - for various effects and enhancements.
Blender - to blend a lot. I cannot remember how often I blend what version with what version. I just kept on playing around with it until my picture looked right to me.
TouchRetouch HD - for minor touchups
A+ Signature - for the copyright watermark.

May 4, 2008 I was visiting the region of Verdun in France together with two friends of mine, where one of the fiercest battles of the whole 20th century raged in World War 1. We planned to visit the US Military Cemetery of Romagne-sous-Montfaucon, but stopped on every occasion we found something that caught our interest. One of the places we stopped at was the ruins of the village of Montfaucon with the nearby monument erected for the U.S. troops that fought in this sector. The village of Montfaucon had been completely destroyed in the battle of Verdun. This picture shows the ruins of the church of Montfaucon, with the observation post build by the Germans. From this place. the German "Kronprinz" observed the battlefield.

There's a plaque attached to the observation post. It reads the following, original text (I did not do that translation):

HISTORY

THE RUINS WHICH YOU SEE HERE ARE WHAT WAS THE PARISH CHURCH OF THE VILLAGE OF MOUNTFAUCON (MOUNT FALCON) UNTIL 1914.

ON THIS PEAK, WHICH WAS 342 METERS (1.122 FEET) IN ELEVATION, MONTFAUCON WAS FOUNDED IN THE YEAR 587 BY THE MONK SAINT BALDERIC, GRANDSON OF CLOTAIRE, WHO ESTABLISHED A MONASTERY. TRADITION TELLS US THAT HE WAS GUIDED BY A FALCON, THE ORIGIN OF THE NAME OF THE VILLAGE.

BECAUSE OF ITS GEOGRAPHIC LOCATION, THIS VILLAGE HAS SUFFERED REPEATED INVASIONS AND WAS COMPLETELY DESTROYED MORE THAN TEN TIMES DURING THE COURSE OF HISTORY. HERE KIND EUDES LAUNCHED A GREAT BATTLE AGAINST THE NORMANS ON JUNE 24, 888.

ON 11. SEPTEMBER, 1914, THE VILLAGE, WHICH COMPRISED 900 INHABITANTS, WAS CAPTURED AND BURNED BY THE GERMAN ARMY. AS AN IMPORTANT STRATEGIC POINT, THE GERMAN ARMY ESTABLISHED 17 ARMED OBSERVATION POSTS (BLOCKHOUSES) IN THE RUINS. SOME OF THESE ARE STILL VISIBLE, NOTABLY THE ONE CALLED THE "OBSERVATOIRE DU KRONPRINZ" WHICH IS LOCATED AT THE CENTER OF THE OLD CHURCH.

DURING NEARLY FOUR YEARS FRENCH ARTILLERY SHELLED THE SITE WITHOUT RESULT OTHER THAN TO COMPLETE THE DESTRUCTION OF THE BUILDINGS.

ON 26 AND 27 SEPTEMBER, 1918, THROUGH THE COMBINED EFFORTS OF THE U.S. AND FRENCH ARMIES UNDER THE COMMAND OF GENERALS PERSHING AND GOURAND, A POWERFUL ATTACK PERMITTED THE U.S. 313TH REGIMENT OF THE 79TH INFANTRY DIVISION TO SEIZE THIS PEAK THIS NEW BATTLE OF MONTFAUCON PERMITTED THE ALLIES TO CLEAR THIS SECTOR OF THE FRONT AND TO MAKE AND ADVANCE OF MORE THAN 50 KILOMETERS (30 MILES).

TO COMMEMORATE THIS ACTION AND IN MEMORY OF MORE THAN 100,000 U.S. SOLDIERS WHO DIED OR WERE WOUNDED ON THE BATTLEFIELDS OF THE AREA, THE UNITED STATES OF AMERICA ERECTED THIS COLUMN OF GRANITE AS A TESTIMONIAL TO THEIR MANY SACRIFICES FOR FREEDOM.






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Tuesday, December 13, 2011

Rue de la Concorde (in Arlon, Belgium).


Camera: Canon EOS40D with17-85mm EF USM kit lens

RAW file developed and cropped in Canon Digital Photo Professional.
Apps used for postprocessing on the iPad:

First I created two versions of this picture in Canon's DPP, one slightly overexposed + one slightley underexposed. I saved the files in 16bit JPG format and transferred them to my iPad using PhotoSync. This neat little app is a real must-have for quick and easy picture transfers between iPad+iPhone+Computer. You can send from any iDevice to any other iDevice where the app is running, plus you can send from your iDevice to your Windows PC or Mac. In case you have no WiFi connection, you can do the transfer over a Bluetooth connection. Tip: Alternatively you can use Apple's Camera Connection Kit for iPad (MC531ZM/A) for quick photo transfers from iPhone to iPad. The kit is meant to connect either your digicam, DSLR or SD-Card to the iPad but if you connect your iPhone to it instead, the iPhone is being identified as a camera, allowing to transfer your photos to the iPad.

ProHDR - to create a HDR picture from the two original photos.
SimplyHDR - to enhance the HDR picture further. I was choosing a color overlay with a warm center (brownish, orange) and cold borders (gray). This nicely enhanced the picture but like the center was brownish and orange, also the lantern glasses and the roof of the last house on the picture had been tinted orange, which I didn't like. More about the lanterns later in this listing.
Photo fx Ultra - for a pencil drawing of the first HDR picture made with ProHDR.
Blender - to blend the pencil drawing with the SimpyHDR version. This nicely enhanced the outlines of the buildings. Blending the pictures in Overlay mode keeps the colors but enhances details in the picture.
TonaloptiaHD - for a black and white version of my picture. I switched from MonoPhix to TonalOptia because the developers of MonoPhix dropped color filter support in the HD version. I really have no understanding for that. The HD version appears very unfinished to me. I wrote to the developers but got no response. So their app is history now for me and I'm glad there is Tonaloptia, which includes various color filters plus a train load full of options to fine tune your picture. I was choosing a yellow filter on the b/w picture.
FilterStorm Pro - I noticed the lantern glasses and the roof had been tinted orange too so I opened the color version of my picture in FilterStorm Pro where I added the b/w version of it as a second exposure. Using the masking brush I masked off the lanterns, or to say it in other words, I brushed the b/w lanterns and roof free in the color picture so the b/w parts came trough. But now these parts had been b/w, which still didn't look right.
Blender - I was blending the new version, which had the b/w parts in it, with the color version in Blender, Normal mode, to add a little bit of color again to the b/w parts to let these parts look realistic again.
Photo fx Ultra - to apply a dreamy effect to my picture. I used the SoftFX effect No. 10 for it. This created a very dreamy version of my picture, which was what I wanted to have because I intended to reduce the effect anyway.
Blender - to blend the dreamy version with the non-dreamy version 65/35 in normal mode. Then I was loading this new version in Blender again to blend it with the pencil version which enhanced details a little more. I used only a 12% slider setting in Normal mode, color picture on the left side, pencil drawing on the right side, slider set 12% from the left.
Camera+ - for the beautiful old-fashion paper frame. I just love that frame!

March this year I did a photo walk with a friend in Arlon, a little Belgian town only a few miles from the border with Luxembourg. At that time I still had no clue about iPhoneography so I made my photos mostly with my DSLR camera. The photo that served as the base for this picture didn't even look good enough to me for making something special out of it in PhotoShop. But thanks to the iPad and the wonderful apps that exist I could finally make something out of it that I like. The buildings shown in this picture represent the typical architecture from the end of the 19th century and the first half of the 20th century in Southern Wallonia (also known as "Le Pays de la Gaume), as well as in the Eiffel and Luxembourg.

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Monday, December 12, 2011

Black Wheel of Power





Camera: Canon EOS40D with 17-85mm EF USM kit lens.


RAW file developed in Canon Digital Photo Professional.
Photo processed on iPad2 with the following apps:
SimplyHDR-HD, Photo fx Ultra, Blender, FilterStorm Pro, Snapseed and TouchRetouch HD. Unfortunately I cannot provide details about every step I took to create this picture because I was playing around with a lot of apps but in the end I wasn't satisfied with the results so I went back to the beginning and restarted from HDR version made with SimplyHDR-HD. I used Photo Fx Ultra + Blender to work out the colors because I wanted to have a deep black wheel. I resized the picture in FilterStorm Pro, added some structure in Snapseed and removed some unwanted white spots with TouchRetouch HD.
A+Signature was used for the copyright watermark, as usual.


This is one of the big power wheels of steam engine 5519, photographed as the engine was in the shed. Railroad friends may find more information at the website of 5519. Unfortunately the website is in German only but you may find photos of the engine in action if you click on the word "Foto" in the top row of the page.

This picture is based on an analog photo I made a few years ago, in 2005 maybe. I happened to just return with the old switcher engine 910 which is visible in the background, as 5519 rumbled onto the turning table.




In World War II, as the Grand-Duchy of Luxembourg had been occupied by the Germans, the Reichsbahn ordered a set of 20 steam engines of the class 42 at the "Wiener Lokomotivfabrik Floridsdorf (WLF)" in Vienna in Austria but the engines couldn't be delivered to the Germans anymore as the war then ended. So the national railroad company SNCFL received these engines by the end of 1948, beginning of 1949, registering them as class 55. Engine # 5519 had been build in 1948 in Vienna Floridsdorf. It's "Fabriknummer" (serial no.) was 17615. Initially, the German Reichsbahn had planned to let it run unter the number 42 2718.
In service of the SNCFL this type was mainly used to haul coal and ore trains. It remained in service until the early 1960s as the costly steam engines got replaced by new class 3600 (electric) and the new classes 1600 and 1800 (diesel).
I still remember 5519 rotting away in the town park of Bettembourg, as I was a boy of 14. But 8 years later some railroad enthusiasts made an incredible effort to restore and save it. Now good old 5519 lives a new life again as a very popular tourist attraction, hauling tourist trains to Germany, France and Belgium.


Btw: if you're interested to have a ride then please contact the operators from their website. You may order tickets over the Internet.


This is the Instagram version of my picture. I really cannot say which version I like most, the original size, or the square size. Decide for yourself:






Questions? Send me an email to (quaffit(at)gmail.com) or leave me a comment ;o)!
Note: Please replace (at) with @ in my email address. This is a simple measure to prevent spam bots from harvesting addresses.





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Saturday, December 10, 2011

Billie



Camera: Canon EOS40D with 17-85mm EF USM kit lens.

RAW file developed in Adobe Camera RAW.
Photo processed on iPad2 with the following apps:

PhotoStudio HD - for a pencil drawing version.
FilterStorm Pro - to add the original photo to the pencil drawing, masking off the horse to keep the pencil effect only on the background. I used FilterStorm Pro for the masking albeit PhotoStudio HD offers the masking tool as well but the precision and zooming for mask painting is way better in FilterStorm Pro than it is in PhotoStudio HD.
Blender - to blend the FilterStorm version with the original photo because I wanted some color in the background.
Camera+ - for the inner Vintage frame.
SP PhotoTada - for the outher frame called Statesman. All other sliders set to "None".
A+Signature - for the copyright watermark as well as for Billie's name.

This is my daughter's Anna-Katharina's beloved Haflinger mare Billie, now 18 years old. She's a wonderful horse with a very gentle character and still as crazy as a filly. Born in Tyrol on February the 9th, 1993, Billie was bought as a young filly by the breeder family Gremling-Dauphin where she got trained in dressage and where my daughter started to learn horse-riding at the age of 6 (Billie was 5 then). At the beginning Anka had her little problems with some of  the training horses. The reason for it certainly was to be found in her still very young age, but as soon as Billie got assigned to her the problems vanished. Billie and Anka made a great team, becoming friends for life. So Billie was assigned to my daughter most of the times she went riding. But in 2002 Billie was about to be sold cause some dude woman wanted to buy her for her daughter... Anka was desperate and sad, fearing to loose her beloved friend forever, so I had to do something. I called the breeder and investigated about that woman and luckily for me the woman was still undecided whether to buy Billie or not so I took the occasion to make the deal right on the spot. I had to give up my dream of flying though, cause the money I spend for Billie was initially meant to pay my PPL A with. But a flying license can always be made - a friend like Billie however, cannot be found a second time in life. She's a member of our family since then, and we all love her dearly.
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In the Shadow of a Crumbling Heart


Camera App: Hipstamatic with Loftus lens, DC film, Jolly Rainbo 2x flash (flash physically triggered)


Apps used for postprocessing:
PhotoStudioHD - for a pencil drawing effect.
Blender - to blend the pencil drawing with the original photo which added the structure to the picture. Again I used Blender a lot to create this picture and I don't recall every single step anymore. I also created a version where I applied the Exclusion effect and I used that version again to blend it with the previous one. I created a b/w version in MonoPhix to blend it in too...
Photo fx Ultra - to add a slight Smoque effect which enhanced the light on top and behind of the heart cookie.
TouchRetouchHD - for some minor corrections.
Camera+ - for the Vintage frame as well as for some color enhancement.
Crop Suey - to crop off part of the Vintage frame which was a bit large after my taste.
King Camera - to add frame #12.
A+Signature - for the copyright watermark.

This picture was made after pure intuition as I enjoyed a cup of coffee and some Christmas cookies after yesterday's dinner with my family. My daughter brought the cookies from school where the kids bake them to sell them for a charity cause. There was that heart cookie left and I plaid around with my Hipstamatic and it's new Foodie SnapPak before I finally ate it. I end up with the photo that served as the base to make this picture from it. I had been playing around with quite a bunch of apps until I was satisfied with the result. But that's the fun part in iPhoneography - playing around with apps, testing this and testing that, until one finally get's what one was looking for. Following always the same procedures to create a picture is way too boring ;o).

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Sunday, December 4, 2011

First Haircut



Camera: Canon EOS100 with 35-135 USM lens, film unknown,
Year the photo was made: 1996

Apps used for post processing:

MobileMonetHD - for a soft color version of the original photo.
Blender - to blend the original photo with the MobileMonet version.
AritstaOil - for an oil painting simulation of the Blender result.
ArtistaSketch - for a pencil simulation of the Blender result.
Blender again - to blend pencil version with oil version.
PhotoForge - for an Overlay version.
Blender again - to blend the Overlay version with the previous one to enhance details and contrast of the colors.
Snapseed - to bring out the structure a little more, plus enhancing vibrancy.
FilterStorm Pro - to enlarge the picture canvas.
TouchRetouchHD - for some touchups.
Snapseed again - for the irregular black frame.
A+Signature - for the handwritten copyright watermark.

This is my first picture created on the iPad2... Being much happy with FilterStorm4, Snapseed and Iris on the iPhone4 I was now impatient to test the iPad versions. I was playing around a lot with FilterStorm Pro because I wanted to add more details to the girl's eyes and mouth but in the end I dropped that idea again because I wasn't satisfied with the result. I must say I was quite disappointed about FilterStorm Pro because of it's file management system. This could have been done much simpler. Working with layers is a bit complicated at first but once understood how it works the system offers a lot of possibilities. Of Iris I was also disappointed because of one big flaw: when opening a picture it's automatically being set to a lower resolution of only 2048x1461px (in this case the original resolution was 3156x2236px) and there is no option included to change that - neither in the iPad settings nor are there app settings to switch on maximal resolution support. I wonder what's that's now good for? So if you want to get your loaded picture back to it's original resolution you must adjust Iris to it. However, I did not notice a visible loss of quality after re-adjusting and saving my picture as I tested Iris. Another flaw in Iris on the iPad is the missing landscape mode. I prefer using my iPad in landscape mode for editing pictures.

The original photo for this painted simulation was made in the summer of 1996, I guess it was by the end of July, as my then four years old daughter Anna-Katharina had her first haircut at the same hairdresser who cut my hair for 30 years since he gave me my first haircut, as I was four years old too. I scanned the original photo and optimized it in PhotoShop already a few years ago. Although I always loved PhotoShop I preferred editing my pictures on my iPhone after I discovered the apps for it and now with an iPad2, picture editing is an even greater pleasure.

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Thursday, December 1, 2011

The Sun goes down over Luxembourg City Main Station


Camera App: BracketMode

Additional Apps used for post processing:
ProHDR - for a HDR picture that served as the base to do this simulated oil painting.
SimplyHDR - to enhance the first HDR picture further.
Blender - ... and Blender again... I don't remember how often I used Blender on this picture until I received the desired result. I blend the second HDR with the first one, and the results I also blend again and again.
ArtistaOil - for an oil painting of my HDR picture.
MonoPix - for a black & white layer. Blending in a b/w layer in Overlay mode enhances contrast and colors.
Photo fx - for a pencil drawing with strong outlines. I blend that one in to bring back some details in the oil painting which looked nice but a bit too blurred, after my taste.
TouchRetouch - for some touchups. There was a flag on the right edge that was way too close to the edge so I removed it.
PicGrunger - for the canvas effect. I used Burlap for texture, Aged for effect and Block Party for style, but set the slider to full left (zero) because I only wanted the texture.
Camera+ - for a little more Vibrancy. I saved that result, then re-imported it to apply the magic Clarity filter. The result was stunning! The overall picture got much brighter and the details of the darker areas came out nicely. But the picture was too bright now so I went back to Blender again to blend it with the previous version in Normal mode.
I then transferred my results to the PC to check them on the big screen. I discovered the texture coming out a bit too strong so I went back to my iPhone again to blend it with the non Burlap version in Normal mode. The result was what I expected to get - great!
Camera+ - again, to add the Vintage frame.
SP PhotoTada - to add the Taveler frame. All other sliders set to zero (= full left). But then I discovered the frame overlapping the Vintage frame a bit too much so I went back to the Vintage frame version and loaded it in...
FilterStorm4 - to add a 27% white frame without inner shadow. Then I went back to...
SP PhotoTada - - now I could add my desired framed without it overlapping too much.
TIP: If your desired frame is taking too much of your picture, create a place holder frame in FilterStorm first. A place holder frame is a sizable, flat uni-color frame that FilterStorm adds AROUND your picture, not over it. Then apply the frame you really want to have. That frame will then be placed over the place holder frame, not over your picture, so it will look like the frame was added around the picture, not over it. You better do a test with the desired frame first. Save that result and estimate how large it might be, then add a place holder frame in FilterStorm of about the same size. Save the picture and you are ready to add your final frame! If you aren't satisfied maybe because the place holder frame was too large just go back to FilterStorm and try again with a different percentage frame.
A+ Signature - for the usual copyright watermark.

Last week as the weather was still sunny I took the occasion of a break at Luxembourg main station to take some shots. I made the photos for this picture from the foot bridge that goes over the tracks. Because it was in the afternoon there wasn't much action at the station and now as there is winter, the sun was already very low. It was big fun to work on this picture today. It took a little while to get it done but that was mainly because I did a lot of testing and tried a lot of things before the outcome finally was what I expected.
Below are the photos that served to create this picture. They could have been better, had I taken my time to set the exposure measuring point manually in BracketMode.
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