Lest We Forget

Camera: Canon EOS40D with 17-85mm EF USM

Original RAW file developed and cropped with Canon Digital Photo Professional

Apps used for post processing:
1) SimplyHDR - for a HDR version of the photo.
2) ArtistaOil - for a simulated oil painting.
3) Blender - to blend the HDR version with the oil version 50/50. This added some details to the oil version which was important for the crosses in the background.
4) FilterStorm Pro - I imported the Blender result and the HDR version into FilterStorm Pro where I painted a mask to erase the grave cross and the flowers from the oil layer so that it was coming through from the HDR layer.
5) Blender - I blend the FilterStorm result with the result from step 3 again to smooth the edges of the flowers and cross.
6) Photo fx Ultra - to add a glow effect.
7) Blender - to blend the result from step 6 with the result from step 5.
8) Photo fx Ultra again - to add the Depth of Field effect. This nicely blurred the background a bit.
9) TouchRetouch HD - to remove an unwanted lantern pole from the background.
10) Camera+ - to add the nice Vintage border.
11) ArtisataOil again - to create an oil version with the a maximum of bristle depth and canvas effect. I did this because I wanted some texture in the frame.
12) FilterStorm Pro again - I imported the results from steps 10+11 into FilterStorm and painted a mask over the frame to bring the texture out.
13) TouchRetouch - to touch up the inner border of the frame a bit.
14) Crop 'n Frame - to cut the very large frame to smaller size again. I usually prefer the neat little tool Crop Suey for this but it apparently has some problems with large files because it used to crash.
15) A+Signature - for the copyright watermark.

It was on May 4, 2008, as I visited the US Military Cemetery Meuse-Argonne in Romagne in France together with two friends of mine. It's the largest US Military Cemetery in France, if not in Europe, where more than 14,000 men found their final rest. One of them is Sergeant Bernard L. Pohlpeter (photo) who fought with the L Company of the 126th US Army Infantry Regiment, 32nd Division. He got killed in action in the Meuse-Argonne Offensive in October 1918, only one month before the war ended on November the 11th. I did some research about Sergeant Pohlpeter and I found a copy of his regiments history online at this page: The Old Command. His grave is at Plot F, row 12, grave 23.

Although the day of death marked on Sergeant Pohlpeter's cross is October the 12th, 1918, he is listed in his regiments casualties list on page 42 as having been KIA on October the 5th. Reading through the regiment's history I also found no report about combat action of his unit for October the 12th but the unit took heavy casualties in the time from October 4-5. So I now wonder what's the truth is. 

As we walked the beautifully made cemetery in awe and respect, we spoke little because nobody wanted to disturb the silence on that place where so many of those men rest who fought for our freedom. So many graves... so many names... so many individual destinies... It really fills on'e heart with sadness to see so many white crosses on such huge fields.

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The Ruins of Montfaucon

Camera: Canon EOS40D with 17-85mm EF USM Kit Lens

Original RAW file developed with Canon Digital Photo Professional.

Apps used for post processing:
SimplyHDR-HD - for a HDR version.
ArtistaOil-HD - for an oil painting simulation.
Photo fx Ultra - for various effects and enhancements.
Blender - to blend a lot. I cannot remember how often I blend what version with what version. I just kept on playing around with it until my picture looked right to me.
TouchRetouch HD - for minor touchups
A+ Signature - for the copyright watermark.

May 4, 2008 I was visiting the region of Verdun in France together with two friends of mine, where one of the fiercest battles of the whole 20th century raged in World War 1. We planned to visit the US Military Cemetery of Romagne-sous-Montfaucon, but stopped on every occasion we found something that caught our interest. One of the places we stopped at was the ruins of the village of Montfaucon with the nearby monument erected for the U.S. troops that fought in this sector. The village of Montfaucon had been completely destroyed in the battle of Verdun. This picture shows the ruins of the church of Montfaucon, with the observation post build by the Germans. From this place. the German "Kronprinz" observed the battlefield.

There's a plaque attached to the observation post. It reads the following, original text (I did not do that translation):

HISTORY

THE RUINS WHICH YOU SEE HERE ARE WHAT WAS THE PARISH CHURCH OF THE VILLAGE OF MOUNTFAUCON (MOUNT FALCON) UNTIL 1914.

ON THIS PEAK, WHICH WAS 342 METERS (1.122 FEET) IN ELEVATION, MONTFAUCON WAS FOUNDED IN THE YEAR 587 BY THE MONK SAINT BALDERIC, GRANDSON OF CLOTAIRE, WHO ESTABLISHED A MONASTERY. TRADITION TELLS US THAT HE WAS GUIDED BY A FALCON, THE ORIGIN OF THE NAME OF THE VILLAGE.

BECAUSE OF ITS GEOGRAPHIC LOCATION, THIS VILLAGE HAS SUFFERED REPEATED INVASIONS AND WAS COMPLETELY DESTROYED MORE THAN TEN TIMES DURING THE COURSE OF HISTORY. HERE KIND EUDES LAUNCHED A GREAT BATTLE AGAINST THE NORMANS ON JUNE 24, 888.

ON 11. SEPTEMBER, 1914, THE VILLAGE, WHICH COMPRISED 900 INHABITANTS, WAS CAPTURED AND BURNED BY THE GERMAN ARMY. AS AN IMPORTANT STRATEGIC POINT, THE GERMAN ARMY ESTABLISHED 17 ARMED OBSERVATION POSTS (BLOCKHOUSES) IN THE RUINS. SOME OF THESE ARE STILL VISIBLE, NOTABLY THE ONE CALLED THE "OBSERVATOIRE DU KRONPRINZ" WHICH IS LOCATED AT THE CENTER OF THE OLD CHURCH.

DURING NEARLY FOUR YEARS FRENCH ARTILLERY SHELLED THE SITE WITHOUT RESULT OTHER THAN TO COMPLETE THE DESTRUCTION OF THE BUILDINGS.

ON 26 AND 27 SEPTEMBER, 1918, THROUGH THE COMBINED EFFORTS OF THE U.S. AND FRENCH ARMIES UNDER THE COMMAND OF GENERALS PERSHING AND GOURAND, A POWERFUL ATTACK PERMITTED THE U.S. 313TH REGIMENT OF THE 79TH INFANTRY DIVISION TO SEIZE THIS PEAK THIS NEW BATTLE OF MONTFAUCON PERMITTED THE ALLIES TO CLEAR THIS SECTOR OF THE FRONT AND TO MAKE AND ADVANCE OF MORE THAN 50 KILOMETERS (30 MILES).

TO COMMEMORATE THIS ACTION AND IN MEMORY OF MORE THAN 100,000 U.S. SOLDIERS WHO DIED OR WERE WOUNDED ON THE BATTLEFIELDS OF THE AREA, THE UNITED STATES OF AMERICA ERECTED THIS COLUMN OF GRANITE AS A TESTIMONIAL TO THEIR MANY SACRIFICES FOR FREEDOM.

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Billie

Camera: Canon EOS40D with 17-85mm EF USM kit lens.

RAW file developed in Adobe Camera RAW.
Photo processed on iPad2 with the following apps:

PhotoStudio HD - for a pencil drawing version.
FilterStorm Pro - to add the original photo to the pencil drawing, masking off the horse to keep the pencil effect only on the background. I used FilterStorm Pro for the masking albeit PhotoStudio HD offers the masking tool as well but the precision and zooming for mask painting is way better in FilterStorm Pro than it is in PhotoStudio HD.
Blender - to blend the FilterStorm version with the original photo because I wanted some color in the background.
Camera+ - for the inner Vintage frame.
SP PhotoTada - for the outher frame called Statesman. All other sliders set to "None".
A+Signature - for the copyright watermark as well as for Billie's name.

This is my daughter's Anna-Katharina's beloved Haflinger mare Billie, now 18 years old. She's a wonderful horse with a very gentle character and still as crazy as a filly. Born in Tyrol on February the 9th, 1993, Billie was bought as a young filly by the breeder family Gremling-Dauphin where she got trained in dressage and where my daughter started to learn horse-riding at the age of 6 (Billie was 5 then). At the beginning Anka had her little problems with some of  the training horses. The reason for it certainly was to be found in her still very young age, but as soon as Billie got assigned to her the problems vanished. Billie and Anka made a great team, becoming friends for life. So Billie was assigned to my daughter most of the times she went riding. But in 2002 Billie was about to be sold cause some dude woman wanted to buy her for her daughter... Anka was desperate and sad, fearing to loose her beloved friend forever, so I had to do something. I called the breeder and investigated about that woman and luckily for me the woman was still undecided whether to buy Billie or not so I took the occasion to make the deal right on the spot. I had to give up my dream of flying though, cause the money I spend for Billie was initially meant to pay my PPL A with. But a flying license can always be made - a friend like Billie however, cannot be found a second time in life. She's a member of our family since then, and we all love her dearly.

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First Haircut

Camera: Canon EOS100 with 35-135 USM lens, film unknown,
Year the photo was made: 1996

Apps used for post processing:

MobileMonetHD - for a soft color version of the original photo.
Blender - to blend the original photo with the MobileMonet version.
AritstaOil - for an oil painting simulation of the Blender result.
ArtistaSketch - for a pencil simulation of the Blender result.
Blender again - to blend pencil version with oil version.
PhotoForge - for an Overlay version.
Blender again - to blend the Overlay version with the previous one to enhance details and contrast of the colors.
Snapseed - to bring out the structure a little more, plus enhancing vibrancy.
FilterStorm Pro - to enlarge the picture canvas.
TouchRetouchHD - for some touchups.
Snapseed again - for the irregular black frame.
A+Signature - for the handwritten copyright watermark.

This is my first picture created on the iPad2... Being much happy with FilterStorm4, Snapseed and Iris on the iPhone4 I was now impatient to test the iPad versions. I was playing around a lot with FilterStorm Pro because I wanted to add more details to the girl's eyes and mouth but in the end I dropped that idea again because I wasn't satisfied with the result. I must say I was quite disappointed about FilterStorm Pro because of it's file management system. This could have been done much simpler. Working with layers is a bit complicated at first but once understood how it works the system offers a lot of possibilities. Of Iris I was also disappointed because of one big flaw: when opening a picture it's automatically being set to a lower resolution of only 2048x1461px (in this case the original resolution was 3156x2236px) and there is no option included to change that - neither in the iPad settings nor are there app settings to switch on maximal resolution support. I wonder what's that's now good for? So if you want to get your loaded picture back to it's original resolution you must adjust Iris to it. However, I did not notice a visible loss of quality after re-adjusting and saving my picture as I tested Iris. Another flaw in Iris on the iPad is the missing landscape mode. I prefer using my iPad in landscape mode for editing pictures.

The original photo for this painted simulation was made in the summer of 1996, I guess it was by the end of July, as my then four years old daughter Anna-Katharina had her first haircut at the same hairdresser who cut my hair for 30 years since he gave me my first haircut, as I was four years old too. I scanned the original photo and optimized it in PhotoShop already a few years ago. Although I always loved PhotoShop I preferred editing my pictures on my iPhone after I discovered the apps for it and now with an iPad2, picture editing is an even greater pleasure.

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How to: Smart-Sharpen Photos on the iPhone

Camera: Canon EOS40D

Lens: Canon 17-85mm EF USM Kit lens

Apps used:

Photoforge2 - to create a high pass layer.

Blender - to blend the high pass layer with the normal layer, slider at 100%, blending mode "Overlay". This method neatly sharpens the whole picture without adding noise. Look at the details on the jeans of the blacksmith! Zoom in and you can even see it's structure.

PhotoForge2 again - after sharpening the photo by blending the high pass layer with the normal layer I reimported the sharpened layer into PhotoForge to apply a Lomo filter as well as to add a white frame.

A+Signature - to add my copyright watermark

Some apps include the option to sharpen a picture but no matter what app I tried I realized that even the best apps end up with a lot of noise after sharpening, no matter if you are using PS Express, FilterStorm3, Iris or whatever. For that reason I applied sharpening filters only modestly. But I always wished to have the possibility to use the same procedure for smart-sharpening that I use in PhotoShop CS5 where I create a copy of my original layer, then apply a high pass filter to that layer, go to the layer's blending options and choose "Overlay" from the menu - et voilà the picture is crystal clear and sharp. On the slider one can adjust the amount of sharpening. Sometimes 100% is a bit too much so you need to adjust a lower setting.

Ok, that's for PS on the big screen. Now I finally found a way to do the same thing on the iPhone, which will also work on the iPad. Currently PhotoForge2 seems to be the only app that comes with a high pass filter (as far as I know, but I may be wrong indeed since I don't know all the apps). I apply that filter to my original picture and save it as a new picture (=layer). Don't worry if your screen turns all gay after applying the filter cause you need to move the slider to the right to see an effect. I used a value of about 200. You don't need to adjust it to exactly 200.00 which is quite impossible. Just use any value close to 200.

After saving that picture I opened Blender where I added the original picture plus the high pass picture for blending. Settings: Blending mode "Overlay", Slider to 100%, original picture on the left, high pass picture on the right. Please see the screenshots below. Do you see the difference? The first picture is unsharpened, the second picture is sharpened:

I applied the same editing procedures to a set of six photos I made one day in June of 2009 as the blacksmith was at the stables to give my daughter's horse Billie a manicure. I asked him for his permission to make photos while he works and he agreed. Billie is a very gentle horse. She truly enjoys to have her hooves cared for - well, but that's part of the female character, isn't it ;o)?

 

The apps that I used on this set are all top notch apps on the long list of photo editing apps, not just because of the possibilities they provide to create beautiful pictures but also because all of them don't ruin the original photo resolution on saving. I processed all of the above photos in original resolution of 3888x2592px. The iPhone needed some time for processing but this wasn't much more than it needs to process original iPhone pictures. I tested this on a Hipstamatic photo that I also sharpened. See below: 

 

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